Last edited by Kajishura
Tuesday, August 4, 2020 | History

7 edition of Bakhtin and the classics found in the catalog.

Bakhtin and the classics

  • 353 Want to read
  • 16 Currently reading

Published by Northwestern University Press in Evanston, Ill .
Written in English

    Subjects:
  • Bakhtin, M. M. 1895-1975.,
  • Classical literature -- History and criticism -- Theory, etc.,
  • Civilization, Classical -- Historiography.

  • Edition Notes

    Includes bibliographical references (p. [273]-285) and index.

    Statementedited by R. Bracht Branham.
    GenreTheory, etc.
    SeriesRethinking theory
    ContributionsBranham, Robert Bracht.
    Classifications
    LC ClassificationsPA35 .B35 2002
    The Physical Object
    Paginationxxvii, 299 p. ;
    Number of Pages299
    ID Numbers
    Open LibraryOL3938641M
    ISBN 100810119056, 0810119064
    LC Control Number2001004160

    'Bakhtin and his Others' aims to develop an understanding of Mikhail Bakhtin's ideas through a contextual approach, particularly with a focus on Bakhtin studies from the s onward. The volume offers fresh theoretical insights into Bakhtin's ideas on (inter)subjectivity and temporality -. Book Description. It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term.

    Bakhtin and Cultural Theory puts Bakhtin into dialogue with a variety of thinkers, including Blake, Schopenhauer, Max Scheler, Sartre, Barthes, Gertrude Stein, Kundera, and Wolfgang Iser, focusing on such issues as carnival and language. The task of the participants in Bakhtin and the Classics is to "engage Bakhtin in a dialogic. Pavel Medvedev, had written their excellent books against formalism, Freudianism, and Saussurean linguistics from a Marxist perspective, and before Bakhtin himself had devised his powerful model of the polyphonic For more on the integration of Bakhtin's early ethics and later aesthetics, see Morson and Emerson , esp. ch. 2, 5, and 6.

    Author by: Mikhail Mikhaĭlovich Bakhtin Languange: en Publisher by: Indiana University Press Format Available: PDF, ePub, Mobi Total Read: 11 Total Download: File Size: 47,5 Mb Description: This classic work by the Russian philosopher and literary theorist Mikhail Bakhtin (–) examines popular humor and folk culture in the Middle Ages and the Renaissance.   In the latest addition to his A-Z of Theory series, political theorist Andrew Robinson introduces, in a two-part essay, the work of Mikhail Bakhtin, one of the most important theorists of discourse in the twentieth century. In part one, Robinson introduces Bakhtin's notions of Dialogism, Polyphony and Heteroglossia.


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Bakhtin and the classics Download PDF EPUB FB2

Mikhail Bakhtin's critical and theoretical experiments have inspired original work in the humanities and social sciences, but Bakhtin and the Classics is the first book to focus on the relationship between Bakhtin and classical studies, the discipline in which Bakhtin himself was trained.

Mikhail Bakhtin's critical and theoretical experiments have inspired original work in the humanities and social sciences, but Bakhtin and the Classics is the first book to focus on the relationship between Bakhtin and classical studies, the discipline in which Bakhtin himself was trained. Clearly demonstrating the fundamental importance of classical literature in his work, Bakhtin and the classics book and the Pages:   Mikhail Bakhtin's critical and theoretical experiments have inspired original work in the humanities and social sciences, but Bakhtin and the Classics is the first book to focus on the relationship between Bakhtin and classical studies, the discipline in which Bakhtin himself was trained.4/5(3).

Bakhtin and the classics. Evanston, Ill.: Northwestern University Press, (OCoLC) Named Person: M M Bakhtin; M M Bahtin; Michail M Bachtin; M M Bakhtin: Document Type: Book: All Authors / Contributors: Robert Bracht Branham. Mikhail Bakhtin's critical and theoretical experiments have inspired little work in the realm of classical studies.

This text focuses on the relationship between Bakhtin and the study of classical antiquity and demonstrates the importance of classical literature in his work. Bakhtin and the Classics R. Bracht Branham Mikhail Bakhtin's critical and theoretical experiments have inspired original work in the humanities and social sciences, but Bakhtin and the Classics is the first book to focus on the relationship between Bakhtin and classical studies, the discipline in which Bakhtin himself was trained.

Mikhail Bakhtin's critical and theoretical experiments have inspired original work in the humanities and social sciences, but Bakhtin and the Classics is the first book to focus on the relationship between Bakhtin and classical studies, the discipline in which Bakhtin himself was : Tapa dura.

R. Bracht Branham (ed.), Bakhtin and the Classics R. Bracht Branham (ed.), Bakhtin and the Classics Brandist, Craig BOOK REVIEWS 81 just referred to.

In this sense, he makes a significant contribution to the understanding. Bakhtin was born in Oryol, Russia, to an old family of the father was the manager of a bank and worked in several cities.

For this reason Bakhtin spent his early childhood years in Oryol, in Vilnius, and then in Odessa, where in he joined the historical and philological faculty at the local university (the Odessa University).

Bakhtin's analysis of Rabelais. Mikhail Bakhtin's book Rabelais and His World explores Gargantua and Pantagruel and is considered a classic of Renaissance studies. Bakhtin declares that for centuries Rabelais' book had been misunderstood.

Throughout Rabelais and His World, Bakhtin attempts two things. First, to recover sections of Gargantua and. Holquist's masterly study draws on all of Bakhtin's known writings providing a comprehensive account of his achievement. Widely acknowledged as an exceptional guide to Bakhtin and dialogics, this book now includes a new introduction, concluding chapter and a fully updated bibliography.

He argues that Bakhtin's work gains coherence through his commitment to the concept of dialogue, examining. Born in the town of Orel in Russia, Bakhtin subsequently obtained a degree in classics and philology from the University of St.

Petersburg (Petrograd) in St. Petersburg at this time was the locus of heated literary-critical debate involving the symbolists, futurists, and Formalists. The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies.

This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia.

While most of the contributors chose to explore Bakhtin's theory of genre or to take issue with his account of one genre, Greek romance, the remaining contributions defy such convenient categories. What all the essays share with one another (and those collected in Bakhtin and the Classics) is the attempt to engage Bakhtin as a reader and thinker.

Mikhail Bakhtin has 59 books on Goodreads with ratings. Mikhail Bakhtin’s most popular book is The Dialogic Imagination: Four Essays. Emerson’s book traces the interesting differences of attitude and emphasis between these two groups of critics and provides a broad-ranging and scholarly history of Bakhtin studies.

The book I. Thus, Bakhtin and the Classics responds vigorously to a felt need for a treatment of Bakhtin and classical literature. (This book extends the discussion beyond an earlier collection in Areth 2: ) In evaluating this book, I have two goals.

It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of o.

Let us begin with an overview of Bakhtin's understanding of the Classical and the non-Classical as articulated in another work of his, Rabelais and his World ([]). [] I cite a key formulation in this book: "The object that has been destroyed remains in the world but in a new form of being in time and space; it becomes the 'other side' of the new object that has taken its place.".

Bakhtin by Valerie Z. Nollan,available at Book Depository with free delivery worldwide. Bakhtin's book alerts the reader of Rabelais to his (Rabelais') masterful use of language and explores the sources of medieval popular culture that served his purposes.

I have enjoyed Rabelais with much deeper understanding having first read Bakhtin. Bakhtin and Rabelais both negotiated cultural minefields to produce their s: forthcoming book on Lukacs and Bakhtin.

Anthony Wall is Head of the Department of French, Italian, and Spanish at the University of Calgary where he teaches contemporary French and Quebecois literature. He has published severed works re­ lated to Bakhtin and his thinking: A .Bakhtin and the Movies book. Read reviews from world’s largest community for readers.

Martin Flanagan uses Bakhtins notions of dialogism, chronotope and /5(6).